Tuesday, December 31, 2019

Top 10 Films of the Decade

In lieu of a traditional best-of list this year, I thought it more appropriate to showcase my favorites of the closing decade.

Some titles were the best of their given years, others have risen in standing. All are films I've revisited or would watch again down the road.

If you haven't seen or heard of any of the these, seek them out, I think you'll be glad you did.


1. 12 Years A Slave (Director: Steve McQueen; 2013)
2. The Artist (Dir: Michel Hazanavicius; 2011)
3. The Lobster (Dir:Yorgos Lanthimos; 2016)
4. Moonrise Kingdom (Dir: Wes Anderson; 2012)
5. Moneyball (Dir: Bennett Miller; 2011)
6. True Grit (Dir: Joel & Ethan Coen; 2010)
7. Lady Bird (Dir: Greta Gerwig; 2017)
8. Mad Max: Fury Road (Dir: George Miller; 2015)
9. Drive (Dir: Nicolas Winding Refn; 2011)
10. Life Itself (Dir: Steve James; 2014)

Honorable Mentions:

Brooklyn (2015)
Chef (2014)
De Palma (2015)
The Descendants (2011)
Django Unchained (2012)
The Fighter (2010)
Ford v Ferrari (2019)
Get Out (2017)
The Grand Budapest Hotel (2014)
The Hateful Eight (2015)
Hugo (2011)
La La Land (2016)
The Martian (2015)
Moonlight (2016)
A Quiet Place (2018)
The Shape of Water (2017)
Super 8 (2011)
Win Win (2011)
Warrior (2011)
The Wolf of Wall Street (2013)

On to the '20s. Happy New Year!

Friday, December 27, 2019

Star Wars: The Rise of Skywalker A Satisfying Conclusion to a Saga 42 Years in the Making

Walking out of 1983's Return of the Jedi as a twelve-year-old I was pretty sure I'd seen the last of Luke Skywalker, Princess Leia and Han Solo.

It had been an incredible six-year, three-movie run, defining my childhood like bookends, but Darth Vader and his emperor were now dead, the second Death Star and pretty much the entire Imperial fleet had been destroyed during the Battle of Endor. Our heroes had won and restored peace to the galaxy.

George Lucas had talked of another trilogy but that would tell the story of young Anakin Skywalker, the fall of the Jedi and rise of the Empire. No, I was pretty sure if I wanted to know the further story of Luke, Leia and Han, I'd have to make it up myself. And I was fine with that.

Flash forward 32 years later to 2015 and Star Wars: The Force Awakens hits theaters. It's a direct sequel to Return of the Jedi, the beginning of a new trilogy featuring different, younger characters, but also Luke, Leia and Han in supporting roles. I'm skeptical at first, but by time the closing credits role, I'm on board with this next generation of freedom fighters and excited for the revelations to come.

But then 2017's The Last Jedi is released and quickly erodes all the excitement and hope I had felt with its dysfunctional, polarizing storyline, not to mention killing off its two most interesting characters (Luke and Snoke). Leaving the theater, I seriously had lost all interest in the new trilogy going further.

So, even with the promised inclusion of original trilogy stalwarts Lando Calrissian and Emperor Palpatine, it was with great hesitation and obvious trepidation that I returned for Star Wars: The Rise of Skywalker.

I purposely stayed away from spoilers, didn't read any reviews. As I walked into my favorite theater last Saturday afternoon and plopped my self down in my regular seat, I admit I looked forward to what awaited me for the next two hours. But to be honest, I didn't expect much.

And to my great surprise, I actually enjoyed the film for the most part. It wasn't perfect, but it was a hell of a lot better than The Last Jedi. I actually cared about the new characters again. Even the wife cried at the end. 

Overall, a satisfying conclusion to a saga that's been a part of my life for 42 years. 

Friday, December 20, 2019

Quick Blu Review: Iceman (1984)

Fred Schepisi's little-seen, long-forgotten 1984 adventure-drama Iceman has always been a nice little reminder of growing up in the '80s.

I was just 13 when I saw it at a local six-plex as a Saturday matinee and the prospect of discovering and then reviving a 40,000-year-old man from an ice cube the size of a Buick seemed pretty cool (no pun intended) back in the day. Still does, come to think of it.

Iceman unfolds at an Artic research base where young anthropologist Stanley Shephard (Timothy Hutton) has been summoned to provide some type of cultural background on whatever lies suspended in a huge icy block recently excavated from the nearby frozen depths.

Shephard and a team of scientists quickly discern they've discovered a prehistoric man, a Neanderthal, perfectly preserved. And if that weren't incredible enough, they re-establish a heartbeat and actually resuscitate the groggy caveman.

Seems our newly thawed friend has something in his blood that can preserve life and that makes him very valuable to the company footing the bill for the research center. But of course Shephard only sees the cultural benefits, the opportunity to learn from our past and convinces the head suit to give him two weeks with the man now called "Charlie."

Soon the two are interacting in a huge indoor vivarium-like habitat, getting to know one another's customs and becoming friends. But it becomes clear "Charlie" is a hunter, a wild soul at heart and not meant to be caged.

Iceman was a vehicle for 23-year-old star Hutton, a hot property at the time after an Oscar win for 1980's Ordinary People. The supporting cast includes Lindsay Crouse, David Strathairn, Danny Glover and John Lone as "Charlie."

While the premise and cast provide all the makings for a worthwhile tale, the film ultimately suffers from lack of character development and a compelling narrative to drive the story. It's always felt like a good portion ended up on the cutting room floor to achieve its svelte 100-minute running time.

Newly released on Blu-ray by specialty label Kino Lorber, Iceman is finally presented in its native 2.35:1 aspect ratio. No new 2 or 4k scan here, but the image is crisp and decidedly more cinematic than the old pan-and-scan DVD from 2004.

The DTS-HD Master Audio 2.0 track sounds great and both dialog and Bruce Smeaton's memorable score are clear at minimum levels.

Overall a nice presentation for a film that's worth a look if your a student of anthropology, a fan of Timothy Hutton or, like me, just feel like a trip back to 1984 every once in a while.

Merry Christmas and Happy Holidays!

Friday, July 19, 2019

Criterion To Finally Release John Sayes' Matewan This October

So every four or five weeks the Criterion Collection unveils a handful of new titles we film fans can look forward to arriving on DVD and Blu-ray in the coming months.

And every month for at least 10 years I've looked and hoped for one title, and every month I've been disappointed. Until yesterday.

Yes, after years of pleading with specialty labels, both on this site and across social media, Criterion announced Thursday it would finally release indie maverick John Sayles' oft-requested 1987 historical coal-mining drama Matewan October 29th.

I've been a fan of Sayles' work since high school and Matewan remains one of his best films, featuring Oscar-nominated cinematography by the great Haskell Wexler and stellar performances by Chris Cooper (in his screen debut), David Strathairn, Mary McDonnell and James Earl Jones.

Criterion's forthcoming Blu-ray will feature a new 4K digital restoration, audio commentary with Sayles and Wexler and a new making-of documentary.

Since the only digital release was a 1999 pan-and-scan DVD, it's really going be like seeing the film for the first time since its Reagan-era theatrical release. Can't wait.

Tuesday, April 30, 2019

Remembering John Singleton

I was sad to hear of filmmaker John Singleton's passing yesterday at 51, not only the first African-American ever nominated for a Best Director Oscar, but also the youngest person to receive the honor at just 24.

I was 20 when I saw Singleton's powerful 1991 debut Boys N The Hood for the first time as a wide-eyed college kid determined to light the world on fire as either a filmmaker or journalist.

I ultimately chose the latter, and didn't exactly set things ablaze, but John's early triumphs and innate, relatable storytelling abilities were a tremendous inspiration to me throughout the '90s, encouraging me to keep writing & reminding me that anyone with talent could achieve success, no matter their age or skin color.

I screened Boyz N The Hood a few years back for its 25th anniversary and was amazed at not only its lasting relevance but that it was made by a then-23-year-old. It's just a stunning piece of work, one that should not just be required viewing for all young filmmakers but anyone with a story to tell.

Friday, April 12, 2019

Star Wars: The Rise of Skywalker Will Close Out Nine-Film Saga This December

Lucasfilm unveiled the first glimpse of its final chapter in the nine-film Skywalker Saga today, dropping the teaser trailer for Star Wars: The Rise of Skywalker before a packed crowd at Star Wars Celebration in Chicago.

Highlights of the two-minute preview included Lando Calrissian piloting the Millennium Falcon, Leia embracing Rey and the familiar cackle of Emperor Palpatine.

As for whom exactly this "ascending Skywalker" refers to - Rey, Kylo Ren, Leia, Luke, or everyone within the powerful lineage - we'll just have to bide our time guessing the next eight months until Star Wars: The Rise of Skywalker hits theaters Dec. 20.

To view the teaser trailer in its entirety, visit imdb.com or starwars.com.

Monday, February 25, 2019

Oscar: The Morning After

As if Olivia Colman's Best Actress upset over Glenn Close wasn't stunning enough, Peter Farrelly's Green Book did the unthinkable Sunday night in Hollywood, nabbing Best Picture honors over heavy favorites Roma and Black Panther at the 91st Academy Awards, a decision the Los Angeles Times called "the worst Best Picture winner since Crash."

Apparently director Spike Lee didn't think much of the decision either, as he was reported storming up the aisle heading for the exit after the announcement, ala Eddie Murphy, only to be turned back toward the stage where he stopped mid-aisle and stood with his back to the winners. I guess he was a Black Panther fan, since his BlacKkKlansman was an extreme longshot to nab the top honor.

Lee did score his first Oscar earlier in the evening for Klansman's adapted screenplay, where he promptly brushed aside his three fellow collaborators onstage to more or less make the win all about himself. Classy as always, Spike.

To be fair, Green Book had earned Golden Globe and Producers Guild honors for Best Picture, not to mention Mahershala Ali's award-season sweep for Best Supporting Actor. I have yet to see the film, but from what I've gleaned from the trailer, it's an old-fashioned, play-it-safe account of a very turbulent time. A recipe that used to render Oscar gold in decades past, not so much in 2019.

Nice to see Rami Malek win for Bohemian Rhapsody, as well as Regina King for If Beale Street Could Talk. Regina's paid her dues in Hollywood, going all the way back to playing Marla Gibbs' teenage daughter on the popular '80s series 227. A true survivor.

Otherwise a pretty pedestrian, uneventful telecast. But still too long, even without a host.

Friday, February 22, 2019

Oscar Predictions: Can Black Panther Outmuscle Roma?

Below are my picks in the major categories for Sunday's 91st Academy Awards.

Alfonso Cuarón's beloved Roma leads the field with 10 nominations and seems to be the consensus pick for Best Picture. I'm thinking, however, that with Roma assuredly taking Best Foreign Language Film, Black Panther may spring into action and nab the top prize. But I've been wrong before. We shall see Sunday. Enjoy the show.

Picture: Black Panther
Director: Alfonso Cuarón, Roma
Actor: Rami Malek, Bohemian Rhapsody
Actress: Glenn Close, The Wife
Supporting Actor: Mahershala Ali, Green Book
Supporting Actress: Regina King, If Beale Street Could Talk
Original Screenplay: Deborah Davis and Tony McNamara, The Favourite
Adapted Screenplay: Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee, BlacKkKlansman