Thursday, April 27, 2017

Tribeca Godfather Reunion To Stream Live On Facebook This Weekend

Fans of classic cinema will be excited to learn that this Saturday's 45th-anniversary Godfather reunion panel at Radio City Music Hall will stream live on the Tribeca Film Festival's Facebook page starting at 8:10 PM EST.

The landmark reunion will be moderated by Taylor Hackford and feature director Francis Ford Coppola along with stars Al Pacino, Robert De Niro, Robert Duvall, James Caan, Diane Keaton and Talia Shire. Fans attending the event will be treated to a screening of both The Godfather and The Godfather Part II beforehand.

Talk about an offer you can't refuse.

Wednesday, April 26, 2017

Remembering Jonathan Demme

I was sad to hear of Oscar-winning director Jonathan Demme's passing today at 73.

Perhaps my best tribute would be to reprint the retrospective I wrote back in 2011 for the 20th anniversary of The Silence of the Lambs, for my money still the most frightening and expertly crafted thriller ever made.

Originally published February 14, 2011

Today marks the 20th anniversary of Jonathan Demme's The Silence of the Lambs, arguably the greatest psychological thriller ever made.

The film opened on February 14, 1991 (yes, Valentine's Day) to favorable reviews, featured two respected actors (Anthony Hopkins and Jodie Foster) and was based on a bestselling novel. But it's a safe bet that nobody entering the theater that weekend had even the slightest inkling of just what they were in for the next two hours.

Lambs tells the story of Clarice Starling (Foster), a young FBI recruit who is plucked from training in Quantico to interview incarcerated serial killer Dr. Hannibal "The Cannibal" Lecter (Hopkins) in hopes of obtaining a psychological profile on serial killer Buffalo Bill (aptly named for the hide he collects from his victims) before he strikes again.

A psychiatrist in public life, Lecter is more interested in analyzing Starling than being any help to the FBI. But the fresh-face trainee proves to be a worthy adversary and eventually earns the respect and affection of Lecter who begins to throw little morsels of clues her way on just who Buffalo Bill might be.

As Starling follows the trail, Lecter's knowledge soon comes to the attention of a U.S. senator who believes Bill is behind the abduction of her daughter. Lecter agrees to provide more information but only to the senator in person. Soon he is transported to her home state for a face-to-face where Lecter sets in motion his elaborate plan for escape.

From its deft screenplay by Ted Tally, chilling score by Howard Shore, atmospheric photography by Tak Fujimoto and unflinching direction by Demme, Lambs perfectly balances crime, suspense and horror, enveloping you in a world few films of its type ever have. From Lecter's cell block to Buffalo Bill's lair, the film oozes such a raw creepiness that it holds you spellbound - mouth agape, heart in your throat - for the entire 118-minute running time. You want to to look away but you can't.

As masterfully crafted as the film is, it's the two lead performances that make it a film for the ages.

From her backwoods drawl to her youthful persistence, Foster embodies Starling heart and soul. She is our virgin eyes through this terrible world and we desperately need her to guide us to the light. At the beginning, Starling is just a raw recruit looking to make her dead father proud. By the end, she is a battle-tested veteran who's experienced things not even the most seasoned of agents could have ever imagined.

Hopkins' Lecter is quite simply the most terrifying and unsettling character in screen history. His evil is a subtle, refined one - cool, underlying, manipulative. You feel if you look or listen to him too long he'll have you doing things you never thought yourself capable of. But the character is so engaging and original that even as he's leaving a trail of carnage you can't help but root for him.

The Silence of the Lambs became a worldwide phenomenon, grossing more the $270 million and earning five Academy Awards, including Best Picture, Actor, Actress, Director and Screenplay, the last film to sweep in all the top categories. The film spawned a sequel and two prequels but none of them came even close to duplicating the magic of the original.

So grab some fava beans and a nice Chianti, cuddle up with your Valentine and spend the evening with Hannibal and Clarice. (Yeah, my wife wouldn't go for it either.)

Quick Flick Review: The Lost City of Z

James Gray's The Lost City of Z is the type of meticulously crafted, old-fashioned widescreen period epic Hollywood just doesn't make anymore. Unfortunately with its excruciatingly slow placing, lack of conflict and one-dimensional characters, it probably won't be the film that encourages a revival.

Based on David Grann's 2009 bestselling book, Z tells the story of Percy Fawcett (Sons of Anarchy's Charlie Hunnam), a British officer who in 1906 is commissioned by the Royal Geographical Society to chart Amazonia along the border of Bolivia and Brazil, as the region's rubber plants are becoming a much-sought-after worldwide commodity.

Fawcett's initial expedition is a long, two-year ordeal, fraught with sickness, lack of food and less-than-hospitable natives. But by journey's end, he finds evidence of a long-lost, advanced civilization, its relics so compelling that he makes finding this "lost city of Z," as he calls it, his life's mission for the next 20 years.

The film basically toggles between Fawcett's futile return trips to the jungle and his bittersweet homecomings with wife Nina (Sienna Miller) and their three children. While Darius Knondji's photography and Jean-Vincent Puzos' production design are both exquisite, there's just no conflict, nothing compelling to engage an audience for 141 minutes. The book, while dense and detailed, still managed to capture a sense of adventure and make for a thrilling read. None of that is on display here.

Z does offer serviceable performances by both Hunnam and Miller, as well as some nice supporting work from Angus Macfadyen (Braveheart), Ian McDiarmid (Emperor Palpatine in the Star Wars films) and a beard-sporting Robert Pattison as Fawcett's travel companion Henry Costin.

Director Gray is known more for smaller, character-driven morality tales (The Yards, We Own the Night), not expansive adventure films. Maybe that's the problem. Or maybe The Lost City of Z should have remained on the page, where it belongs. Grade: C