Friday, May 24, 2013

It Takes An Ewok: 30 Years of Return of the Jedi

Walking out of a matinee showing of 1980’s The Empire Strikes Back, my nine-year-old body felt like it had just taken a series of one-two punches to the gut while sitting in the dark for the last two hours.

I mean how could you not feel like you’d just had the crud kicked out of you: the rebel fleet had been scattered, flung to the far reaches of space like some toddler tossing a box of matches; Luke Skywalker had just had his rear-end handed to him by a relentless Darth Vader, losing a hand in the process, but possibly gaining a father; and Han Solo, that dashing, scruffy-looking, half-witted nerf-herder, was now a concrete slab on a one-way flight to Jabba the Hutt.

And if that weren’t enough, like we really needed salt poured on our open wounds, we would have to wait three flippin’ years to see how this all played out. It seemed like an eternity.

It’s pretty safe to say that my feelings were echoed by most Star Wars fans that glorious summer. It’s also a fair summation that the next and final chapter (so we thought) of George Lucas’ beloved space trilogy would ultimately go down as the most anticipated film of the entire decade.

Sure, we had Raiders of the Lost Ark and E.T. to keep us occupied the next two summers, but that third SW film never strayed far from our minds. We didn’t have the luxury of the Internet back then, watching the production process unfold before our eyes while the director provided a witty daily blog. No, we basically had to guess and debate how things were going to turn out for the next two and half years before we started receiving even a smidgen of information.

First, Kenner began teasing a mail-away action figure from the new film on cards for its Empire line in late 1982: Admiral Ackbar. He was a new hero, a red, squid-looking guy in a white pantsuit. He was all right. What really excited me, however, was that the mail-away blurb also included the title for the next chapter: Revenge of the Jedi. With that, like some burning-bush epiphany, the sun peeked through the clouds and we knew the wait was almost over.

Then came the much-publicized title change by the end of the year. Some fan had written a letter to George Lucas reminding him that a Jedi never seeks revenge. He actually took notice and a few focus groups later, changed the name to Return of the Jedi. No one really seemed to care, except Kenner who had to trash thousands of Revenge cards for its forthcoming line.

From there, another mail-away figure (Nien Nunb) was teased in early 1983. It wasn’t until March of that year, two months before its release date, that we finally started seeing images from the new film.

I was perusing the magazine aisle at a local Sav-on Drugs (now CVS for you younger readers) one Saturday afternoon and as I picked up the April issue of Starlog, there was a quartet of familiar faces staring back at me: Luke, Leia, Chewie and Han. Wait…Han? He’s not in Carbonite anymore; he’s in the cockpit of a ship with his old pals. I remember feeling relieved but strangely disappointed that that crucial little nugget was already out of the bag. Also included in that issue were shots of the Endor forest battle and Jabba’s Gamorrean Guard.

Somewhere around mid-April, Kenner released the initial wave of Jedi action figures in stores. The first one I grabbed was Luke in his Jedi Knight outfit. He was draped in black from head to toe (kind of like Johnny Cash), had a cool cloth cloak and…wait for it… a green lightsaber. The Jedi had indeed returned as far as I was concerned. Other intriguing figures on the pegs were the Emperor’s Royal Guard, Biker Scout and Lando Calrissian in Skiff Guard Disguise.

At last the magic day was at hand: May 25, 1983. It was a Wednesday, a school day, the last few weeks of sixth grade, but that didn't stop me from talking my ever-supportive mom into taking me and a buddy to the first showing, 9 or 10 AM as I recall. There was hardly anyone in the theater at that time so it felt like a private screening just for us. And while I enjoyed the film as a whole, I remember thinking it just wasn't as good as the first two. Maybe it was my age at the time, but the Ewoks, the second Death Star, they just felt kind of childish and unoriginal.

Disappointing or not, I still spent that summer collecting every Jedi action figure and accessory I could get my hands on. It was a Star Wars film after all.

While Return of the Jedi may have fallen short as a film, it still lived up to its hype as a box-office behemoth, grossing more than $250 million in its initial run and finishing the year as the number-one film of 1983.

30 years later, my feelings for Jedi have softened considerably. It's not so much the film I appreciate more, but the time. That special summer between the twilight of childhood and dawn of adolescence. Never again would I feel as free or sure of myself. If it takes an Ewok to bring those feelings back, so be it.

Friday, May 3, 2013

Five Summer Films You Should Care About

Boy, it was a rather lackluster first four months of the year for movies, wasn't it? I saw a total of seven films in that span and the only one I really enjoyed was Brian Helgeland's 42. Fortunately with the release of Iron Man 3 today, the summer movie season is upon us and it looks to be a good one for the most part. Below are my picks for the five you should put at the top of your list, in order of release:


Star Trek Into Darkness: It's been four years since J.J. Abrams' flashy Enterprise reboot and this time a newly minted Captain Kirk and crew must face off against one of their own as he wages a ruthless war of terror on Earth. While I wasn't a fan of the first film's snoozer of a villain or rewriting of established Trek lore (destroying Vulcan? C'mon, you can't have Star Trek III or IV without Vulcan), this new one does look edgier and undeniably more fun. I mean it's a Star Trek movie. They make 'em and we boldly go. End of story. (May 17)

Man of Steel: Hard to believe it's been over 30 years since we've had a halfway-decent Superman film. This new retelling of Krypton's favorite son is loaded with big stars (Russell Crowe, Kevin Costner) and takes a decidedly darker turn as young Clark Kent struggles to embrace his otherworldly abilities. No surprise with Watchemen's Zack Snyder directing and The Dark Knight's Christopher Nolan producing. Throw in General Zod and the spunky Amy Adams as Lois Lane and this one appears to be a reboot with legs. Granted, red-booted legs but legs nonetheless. (June 14)

The Lone Ranger: Here's another iconic character we haven't seen in a worthwhile film in over 30 years (well, more like 50 if you discount 1981's ill-fated The Legend of the Lone Ranger starring one Klinton Spilsbury). This new big-budget retelling features The Social Network's Armie Hammer as the left-for-dead Texas Ranger John Reid as he seeks revenge against the dreaded Canvendish gang. Helping Reid in his plight is of course his faithful companion Tonto (played by Johnny Depp, complete with war paint and a stuffed crow stuck on his head). As to whether this version can revitalize the 80-year-old Masked Man, one just has to look as far as director Gore Verbinski, whose 2011 animated Western Rango not only jump-started the genre but ended up being one of the best films of the year. (July 3)

Pacific Rim: Granted, at first glance this one could be mistaken for another mind-numbing Transformers/Gobots debacle, but dig a little deeper and you find Guillermo del Toro (Pan's Labyrinth, Hellboy) of all people pulling the strings. What does that mean? Well, for starters: great visuals, intricate storylines and engaging characters. I know, you're bored already. (July 12)

The Wolverine: Yes, I know X-Men Origins: Wolverine had its problems but this one does away with all the backstory baloney and places Logan (Hugh Jackman) in a contemporary tale set in Japan soon after the events of 2006's X-Men Last Stand. This time he's battling ninjas and organized crime (kind of an X-Men meets Black Rain) instead of Magneto and company. Helping give things a much-needed boost is the presence of director James Mangold (3:10 To Yuma, Copland). Should be fun as long as Logan doesn't start belting out Valjean's Soliloquy. (July 26)


Monday, April 8, 2013

Remembering Roger Ebert

The worlds of cinema and journalism lost an iconic voice this past Thursday when venerable film critic Roger Ebert passed away at 70.

I'd been a fan of Ebert's reviews since At The Movies premiered on television back in 1982. I was only 12 years old at the time but his straight-forward, unpretentious approach to analyzing movies engaged me in such a way that I actually started dissecting the characters and storylines I was seeing on the screen with my buddies Saturday afternoons.

A movie was no longer cool just because it had mind-blowing effects or exotic locales. I started paying attention to photography, how deeply layered the story was and if the characters were memorable and actually had three dimensions. Ebert's reviews made me aware I was seeing a bad movie and gave me the wherewithal to know when I was sitting in the dark with a really good one.

When I started working for the student newspaper my freshman year in college, film reviews were some of the first things I wrote. Now I'd probably read a couple hundred print reviews prior to high school graduation but it was Ebert's television voice that guided me through my first written critique. Give a little background on the director or star, lay out the story and convey how well or poorly the film was executed. Pretty simple. It's a recipe I follow when writing reviews to this day.

It's pretty obvious the passion Ebert had for the cinema. What some may not realize is that he had an equal or greater passion for writing. We began his career writing film reviews for the Chicago Sun-Times back in 1967 and became so astute at it, he actually won a Pulitzer Prize for Criticism at age 33. He kept writing while enjoying a successful television career and even seemed to double his output after cancer robbed him of his vocal cords back in 2006. I remember a co-host asking him on an award show what advice he would give to someone wanting to make a career from reviewing movies. His response: "Love writing."

Roger Ebert may have lost his ability to speak, but he never lost his voice. It will continue to inspire future journalists and filmmakers for generations to come.

Friday, February 22, 2013

Oscar Predictions

My predictions in the major categories for Sunday's Academy Awards:

Picture: Argo
Director: David O. Russell Silver Linings Playbook
Actor: Daniel Day-Lewis Lincoln
Actress: Jennifer Lawrence Silver Linings Playbooks
Supporting Actor: Tommy Lee Jones Lincoln
Supporting Actress: Anne Hathaway Les Miserables
Original Screenplay: Mark Boal Zero Dark Thirty
Adapted Screenplay: Chris Terrio Argo

Thursday, January 10, 2013

Oscar Nominations Announced

Nominations for the 85th Annual Academy Awards were announced this morning. The nods for the major categories are as follows:

Best Picture

Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Misérables
Life of Pi
Lincoln
Silver Linings Playbook
Zero Dark Thirty

Amour is a bit of a surprise since it did get a nod for Foreign Language Film. The Dark Knight Rises could have taken its place with Moonrise Kingdom slipping into the #10 spot.

Best Actor:

Bradley Cooper Silver Linings Playbook
Daniel Day-Lewis Lincoln
Hugh Jackman Les Misérables
Joaquin Phoenix The Master
Denzel Washington Flight

Four of the five SAG nominees are present with Joaquin Phoenix replacing John Hawkes. While Phoenix was spot-on as a crude, despicable psychopath in The Master, is it a performance I'd want to see twice in my lifetime? No. Jack Black should have taken his spot for Bernie. Of these five, I'd say Day-Lewis is the favorite.

Best Actress

Jessica Chastain Zero Dark Thirty
Jennifer Lawrence Silver Linings Playbook
Emmanuelle Riva Amour
Quvenzhané Wallis Beasts of the Southern Wild
Naomi Watts The Impossible

Three of the five SAG nominees are present with Riva and Wallis getting nods over Helen Mirren and Marion Cotillard. I wasn't a fan of Beasts of the Southern Wild and thought both Chastain's and Lawrence's performances were a bit overrated. The favorite here is anyone's guess.

Best Supporting Actor

Alan Arkin Argo
Robert De Niro Silver Linings Playbook
Philip Seymour Hoffman The Master
Tommy Lee Jones Lincoln
Christoph Waltz Django Unchained

De Niro and Jones both gave nice performances but Arkin was, well Arkin, and Hoffman's character in The Master really wasn't that memorable. Javier Bardem should have taken one of their spots instead for Skyfall. Waltz shined in Django and should be the favorite here, but it will probably come down to Arkin and Jones.

Best Supporting Actress

Amy Adams The Master
Sally Field Lincoln
Anne Hathaway Les Misérables
Helen Hunt The Sessions
Jacki Weaver Silver Linings Playbook

Liked Weaver in Playbook, thought Adams was bland in The Master and felt Field was a bit over the top at times in Lincoln. While Hathaway could mount a challenge, Field is the favorite here.

Directing

Michael Haneke Amour
Benh Zeitlin Beasts of the Southern Wild
Ang Lee Life of Pi
Steven Spielberg Lincoln
David O. Russell Silver Linings Playbook

The most surprising category as only two of the DGA noms are present here - Lee and Spielberg. No Affleck, Bigelow or Hooper. I'd say Spielberg is the fav here but both Russell and Lee did great work and Amour seems to be gaining traction.


The Oscars air Sunday, February 24th on ABC. Check back Feb. 22 for my picks.

Friday, December 28, 2012

Top 5 Films of 2012

Well, it ended up being a record-breaking year for Hollywood in 2012. It was a little touch and go there for a while. Things started out great with blockbusters like The Hunger Games and The Avengers but cooled considerably over the course of the summer as seasonal grosses and attendance dropped to their lowest numbers in 20 years. Fortunately, the studios had aces like Lincoln, Skyfall and The Hobbit up their sleeves this fall to rescue the industry and ultimately deliver the kind of mind-boggling year everyone assumed was a forgone conclusion back in January.

2012 wasn't just a bank-bursting year for Hollywood grosses, it was tops for number of releases as well. A staggering 653 films filled the screens of multiplexes and art houses from January through Christmas. I did my part and caught roughly 30 of them. Below are five of my favorites.


1. Moonrise Kingdom: No other film put a smile on my face and kept it there like Wes Anderson's 1960s-set tale of two young, mismatched lovers who run away from home and send their small New England island into turmoil. Edward Norton, Bill Murray, Frances McDormand and Bruce Willis all give terrific, quirky performances and every shot offers some kind of wonderful little relic of nostalgia that engulfs you like a warm, snug blanket.

2. Bernie: Chances are you missed this comedic little gem from Richard Linklater about portly mortician Bernie Tiede (Jack Black) who befriends and then kills a wealthy Texas window (Shirley MacLaine). Black gives the performance of his career as the magnanimous, overtly effeminate Bernie, prancing through every scene with such infectious gusto you just can't help but root for him. Trust me, even with the subject matter, you won't stop laughing with this one.

3. The Dark Knight Rises: Christopher Nolan's thrilling, epic conclusion to his Batman trilogy just hit all the right notes for me. Even at 165 minutes, I walked out of the theater and instantly felt like seeing it again (I didn't, the wife wouldn't let me). And the ending just may be the best ever for a super-hero film. It still makes me smile just thinking about it.

4. Skyfall: Not just Daniel Craig's best turn as 007, the best Bond film in nearly 20 years. Just a slick, richly textured and highly satisfying piece of entertainment. Oh and Javier Bardem makes a pretty good villain, too.

5. Life of PI: Ang Lee's adaptation of Yann Martel's beloved novel is just a joy to behold on screen. Every shot penetrates the soul and reminds us just how powerful the art of cinema can be. This is definitely one to experience inside a theater.

If I Could Choose Five More: 6. Silver Linings Playbook 7. Robot & Frank 8. Lincoln 9. Salmon Fishing in the Yemen 10. Django Unchained

Happy New Year!


Friday, December 21, 2012

Top 5 Blu-rays of 2012

So did you finally get that Blu-ray player this year? No? If you've got an HDTV and love movies, Blu-ray really is the best way to replicate the movie-theater experience in the comfort of your own home.

The format continued to take some impressive strides in 2012. In addition to getting high-def editions of such classics as Lawrence of Arabia, Chinatown, Sunset Boulevard and Casablanca, cinephiles were treated to a 22-film James Bond 50th anniversary set, a 14-film Alfred Hitchcock collection and not one, not two, but five of Steven Spielberg's most beloved and iconic films.

If you're expecting a Blu-ray player this holiday season or plan to upgrade in the near future, you can't go wrong with the five releases below, my favorites of 2012.


1. Lawrence of Arabia - Sony Pictures Home Entertainment: Arguably the greatest widescreen epic of all time, David Lean's 1962 masterpiece has always been one of those films best experienced inside a theater, not your living room. Well if you can't convince your local cineplex to screen a print, Sony's new Blu-ray is the next best thing. Restored and remastered at 4K resolution, The 50-year-old film is truly a sight to behold on Blu. Everything, from the sand of the desert to Lawrence's white flowing robes, just sparkles anew and makes the once-exhausting 227-minute running time actually enjoyable.

2. Jaws - Universal Studios Home Entertainment: Steven Spielberg's 1975 thriller about a man-eating shark terrorizing a small New England island never gets old (I screen it every 4th of July) and thanks to Universal's new digital restoration, it's never looked or sounded better. Throw in the new feature-length documentary The Shark Is Still Working and you're definitely going to need a bigger screen for this one.

3. Casablanca - Warner Home Video: The crown jewel of the Warner library got a new 4K digital scan and the result is nothing short of amazing for a 70-year-old black and white film. The image is exceptionally crisp, remarkably fluid and above all else, classically cinematic. With this one, Warner Brothers proves a perfect film can actually get better. Play it again, Sam.

4. Indiana Jones: The Complete Adventures - Lucasfilm/Paramount Home Video: While it would have been nice to have this set for Indy's 30th anniversary last year, the Blu-ray debut of the intrepid archaeologist's first three cinematic adventures (Raiders of the Lost Ark, Temple of Doom and Last Crusade) is a welcome one. (Kingdom of the Crystal Skull was released on Blu in 2008 and is also included.) While each of the four films look and sound great, the true Holy Grail here is a new Raiders documentary that features several deleted scenes, including Indy's extended tussle with the Cairo swordsman.

5. E.T. - Universal Studios Home Entertainment: Everyone's favorite little alien turned 30 this year and to mark the occasion Universal and Steven Spielberg ditched the silly 2002 special edition and rolled out a newly remastered print of the original classic that looks and sounds as good as it did in theaters back in 1982. The real bonus, however, is the E.T. Journals, a newly discovered feature-length making-of documentary that puts you right on set and unfolds as a Spielberg-taught master class in filmmaking.

Next Week: Top 5 Films of 2012